“Even though white is often associated with things that are pleasant and pure, there is a peculiar emptiness about the color white. It is the emptiness of the white that is more disturbing than even the bloodiness of red.” -Herman Melville, Moby Dick
In July of 2013 I laid out 14 different types of white oil paint on the same surface, each adjacent to the other, in order to track what sorts of variations would take place over time. I’ve included typed notes next to each swatch that states the white’s brand, name, and oil content. These typed notes should help clarify the scribbling of my messy handwriting. Also, to be clear, I did not store the whites in the dark once I had applied them to the panel (total lack of light causes darkening and yellowing in all oil paints.) The panel was tacked to the wall and exposed to northern light, not darkness and not direct sunlight. I learned some interesting things within days and weeks of starting this experiment.