Some Notes on Technique

“The most perfect technique is that which is not noticed at all.” –Pablo Casals

Cloth2

I’ve been working on a commission painting for the last couple months, wrestling with it a bit but making some good progress. I enjoy the commissions because they involve subject matter that I wouldn’t normally focus on in my own work, and with this comes new problems that (once resolved) leave me with a larger toolbox of solutions for getting the desired results with my own paintings. These “commission painting problems” could be resolved in any variety of ways; with a certain combination of brushes, a certain medium, a specific kind of application, and so on, usually relying on a combination of several factors that each contribute to the solution. Continue reading